by Adam Galloway | Nov 30, 2019 | Film Composing, Logic Pro, MIDI, Mixing, Music Production
This article will help those who read “Composing Orchestral Music In The Box: Part I” by providing detailed information in regards to orchestral realism using virtual instruments. The only thing better than having a section or solo instrument being played by a group...
by Adam Galloway | Nov 14, 2019 | Film Composing, Logic Pro, MIDI, Mixing, Music Production
In part I of this “Creating Orchestral Music In The Box” series, we’ll outline best practices for to composing a song completely within one software program, such as Pro Tools or Logic Pro. Mixing “outside the box” means you are using physical...
by Adam Galloway | Oct 14, 2019 | Film Composing, Mixing, Music Production
In the the last part of our “How to Be a Film Composer” series, we dive into the mixing process. As an independent film composer, mixing is a crucial part of your role in the filmmaking process. Being able to deliver full scores, mixed in a way to where...
by Adam Galloway | Aug 1, 2019 | Film Composing
In Part 4 of our “How to be a Film Composer” series, we’ll debunk some common myths about becoming an aspiring composer when you first get started in the industry. Myth #1: “I need to read and write sheet music” One of the biggest myths out there that stops many...
by Adam Galloway | Jul 27, 2019 | Film Composing
Chances are if you are reading this, you are a filmmaker or composer, so you know without a doubt that picture without music only works in certain instances. Most films really need music to guide the audience, bring added emotion, etc. etc! But sometimes it can be...
