by Adam Galloway | Nov 30, 2019 | Film Composing, Logic Pro, MIDI, Mixing, Music Production
This article will help those who read “Composing Orchestral Music In The Box: Part I” by providing detailed information in regards to orchestral realism using virtual instruments. The only thing better than having a section or solo instrument being played by a group...
by Adam Galloway | Nov 14, 2019 | Film Composing, Logic Pro, MIDI, Mixing, Music Production
In part I of this “Creating Orchestral Music In The Box” series, we’ll outline best practices for to composing a song completely within one software program, such as Pro Tools or Logic Pro. Mixing “outside the box” means you are using physical...
by Adam Galloway | Oct 14, 2019 | Film Composing, Mixing, Music Production
In the the last part of our “How to Be a Film Composer” series, we dive into the mixing process. As an independent film composer, mixing is a crucial part of your role in the filmmaking process. Being able to deliver full scores, mixed in a way to where...
by Adam Galloway | Aug 1, 2019 | Film Composing
In Part 4 of our “How to be a Film Composer” series, we’ll debunk some common myths about becoming an aspiring composer when you first get started in the industry. Myth #1: “I need to read and write sheet music” One of the biggest myths out there that stops many...
by Adam Galloway | Jul 27, 2019 | Film Composing
Chances are if you are reading this, you are a filmmaker or composer, so you know without a doubt that picture without music only works in certain instances. Most films really need music to guide the audience, bring added emotion, etc. etc! But sometimes it can be...
by Adam Galloway | Jul 7, 2019 | Film Composing
In Part 1 and Part 2 of our “How to be a Film Composer” series, we discussed how to approach composing with the correct mentality and the what tools modern composers are using for scoring films. In this post, we’ll discuss the relationship composers have with...
